Petra Warrass: Where it is # 7
« Wo es ist # 7» (Where it is # 7)
Petra Warrass
2006-2007
30 cm x 40 cm
b/w-print
The photo # 7 is part of Petra Warrass’ series “Wo es ist” (Where it is), which contains black and white photos of young Cédric or other boys. Looking through an ajar door, we see Cédric sideward crouching on a chair. His face is half covered by his right arm so that his expression is difficult to interpret. He is wearing a trench coat like mantle and no shoes, only socks. The coat might be a little too big for him. Through the doorway we can perceive in the background a white room with a window. Under the window is a central heating and besides it a socket. There could be a desk in front of the heating, but only one table foot is visible. The floor covering might be tapestry or a synthetic floor. It is slightly patterned by lighter and darker squares. Since the chair on which the boy is crouching is typical German classroom furniture and the assumed table foot is of the same design, the photo might open the view into a classroom. The white undecorated wall and the window without curtain are contributing to this impression, even though young children classrooms are often decorated with paintings and handicrafts of its pupils.
Here is the effect of an unexpected display, so often found in Petra’s work. First the scene seems to be clear: we are looking through a slightly blurred door into a sharply captured room. But here the clearness ends. The artist gives no unambiguous reference to the key of the outlook. Not German observers even not see the allusion to a classroom and even if one does he/she would not think of a surrounding for young children because of its bleakness. The acknowledgement “Where it is” remains in the dark.
More astonishing is the situation of the child: he is not sitting on the chair but crouching on it. Is he joyfully playing or is he timidly cowering? Is he to jump or will he stay on the chair? His attributes are not helping to enlighten the scene: Cédric is wearing a coat even if he is inside a room. Nevertheless he has no shoes on. In addition the mantle is not really adapted to children. It is more an adult clothing: is it a costume or a shelter? These uncertainties were underlined in the presentation of the photo in the Kunstmuseum Mülheim a. d. Ruhr in der Alten Post in 2006. The photo of the crouching Cédric wasn’t shown in the format 30 cm x 40 cm, but larger than life size. The visitors had probably the impression to look through the door opening into a real room where they saw a huge young boy squatting on an enormous chair.
Exhibitionview Kunstmuseum Mülheim a. d. Ruhr in der Alten Post in 2006
Petra Warrass
Born 1970 in Birkenfeld (Germany) Petra Warrass lives and works in Düsseldorf (Germany). First she studied visual communication with the focus on photo and film design at the Fachhochschule Dortmund (Germany) (University of Applied Sciences and Arts Dortmund), than photography at the Gerrit Rietveld Academie, Amsterdam (Netherlands). She finished her studies as master student of Joachim Brohm at the Hochschule für Grafik und Buchkunst, Leipzig (Germany) (Academy of Fine Arts, Leipzig). Since 1999 she received many grants and prizes. Besides several residence bursaries in Germany inter alia at Schloss Balmoral, Bad Ems, she worked as stipendiary in the Netherlands, China, France and Croatia. In 2016 she will be granted for a residence at the CCA Andratx at Mallorca (Spain).
Petra’s photo series were represented in numerous personal and group exhibitions. Furthermore her videos were shown in Germany and Europe, inter alia in France, Poland and Spain. She has frequently teaching assignments at universities, art academies or in special art projects.
In her works, be that in photography or video, Petra is showing supposed everyday situations. For the series “Stay home” she took inside photos of apartments. Nevertheless, the arrangements of the furniture are not as expected: a table is turned upside down, the mattress of a bed is folded or a rack is hiding behind a curtain.
“Täuschung und Wahrheit” (Deception and Truth) has its conflict not only in its title. Here Petra took portraits of teenagers. The camera is not focused directly on the youngsters. They are looking into a mirror and the artist photographed their mirror image. In consequence the images are in a high degree self portraits, where the model takes direct self-control of the expression that should be shown.
Besides # 7 other images of “Where it is” are as well ambivalent. In # 1 Cédric is dressed in jeans and a white pullover. His posture implies that he might be struck by something in the breast, but there is no blood. In # 9 Cédric is standing in front of a window, except he is looking from outside to the inside of an apartment.
Petra surprises the observer: her photos and videos are taken in clear composition; supposed main parts or the whole pictures are captured sharply. Nevertheless there are often unexpected components in them. The images deprive themselves from all clarity regarding the content. They are fostering uncertainty so that the viewer is thrown back to him/herself to find his/her own interpretation.