12/07/2024

ArtworkS of the Month: The first five of 2024

Our five Artworks of the Month were made by six artists. The trend to photography continued. This focus doesn’t exclude other disciplines in the future. In January, Anna Di Prospero offered her perception of the Central Station of Trieste. Instead of contenting herself in presenting the architecture, she added a mysterious… (read more)

Posted in Artwork of the month and tagged 116 (Ascension), 2024, Anna di Prospero, artworks of the month, first five, Irina Rozovsky, Large White Bottle and Shadow, Manjari Sharma, Mary Ellen Bartley, Patricia Lascabannes, Photography, Stazione Centrale di Trieste, Tamara Stoffers, The Home we lost, Trieste Central Station, Untitled
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11/07/2024

Biennale di Venezia: Foreigners and Strangers

As already stated in our first article about the main exhibition in the Central Pavilion in the Giardini, also the second part of “Foreigners Everywhere – Stranieri Ovunque” in the Arsenale gives the possibility to discover many – for the most part of the Euroamerican public – unknown artists. These “strangers” are often coming from… (read more)

Posted in Exhibitions and tagged 1854, 1858, 2024, aboriginal tribe, Adriano Pedrosa, Africa, After the singing is over, Ahmad and Akram Protecting Hercules, Ana Segovia, Andean culture, Angola, Antoine de Saint-Exupery, architect, Arsenale, Asia, Australia, Austria, Aymara, batik, Biennale di Venezia, Bolivia, Bordadoras de Isla Negra, Bouchra Khalili, Brett Graham, Bridget Reweti, charros, Chile, China, Christopher Columbus, Claire Fontaine, colonialisation, Columbia, Come, Dana Awartani, Diaspora Activism, Diné tribe, Emmi Whitehorse, Erena Arapere-Baker, Espiral do Medo, Eureka Stockade, Europe, Foreigners and Strangers, Foreigners Everywhere, Frieda Toranzo Jaeger, Gaza, Geometric Ballad of Fear, glass easels, Global South, Golden Lion, Great Britan, Greta Schödl, Indigenous people, installation, Italians Everywhere, Italy, Iván Argote, Juana Marta Rodas, Julia Isídres, Kapwani Kiwanga, Kiluanji Kia Henda, Latin America, Let Me Heal Your Wounds. Let Me Mend Your Broken Bones, LGBTQ+ movements, Lina Bo Bardi, Lipid Muse, Māori, Marco Scotini, Marlene Gilson, Mataaho Collective, Maŋgalili Country, Ma’arra Mosaic Museum, Mexico, migrants, mosaic, Museu de Arte de São Paulo, Naminapu Maymuru-White, New Zeeland, Nigeria, Nucleo Storico, Omar Mismar, Pacita Abad, painting, Palestine, Paseo, Photography, Portugal, Pos‘ se acabó este cantar, Queer artists, Refugee Astronaut, River Claure, Sàngódáre Gbádégẹsin Àjàlá, Sarah Hudson, sculpture, Son of the Stars, Stranieri Ovunque, Susanne Wenger, Syria, Takapau, Terri Te Tau, The Little Prince, The Mapping Journey Project, United States, Venice Biennale, WangShui, Warawar Wawa, Waste Lands Act, Wastelands, Wathaurung people, William Buckley, Xiyadie, Yinka Shonibare, Yoruba
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Artificialis

contemporary art / history of art

Archive for July 2024

12/07/2024

ArtworkS of the Month: The first five of 2024

11/07/2024

Biennale di Venezia: Foreigners and Strangers

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